John Howe – Lord Of The Brush


John_Howe_at_Work“When I left Canada at 19, I never would have imagined my life would take me on a journey to Middle-earth and back.” JH

In the depths of The Lonely Mountain of Erebor, a sea of treasure suddenly erupts into a tsunami of glittering coins; ancient reptilian scales fill the movie screen, opening to reveal a nictitating golden eye of J.R.R. Tolkien’s malevolent dragon, Smaug.

The creature is just one of hundreds of iconic Tolkien characters and mythic landscapes brought to life by visionary illustrator and conceptual artist, John Howe.

“I can’t remember not drawing,” reminisces Howe 57, by phone, admittedly tired after almost 7 years sequestered in New Zealand (with breaks between films to return to Neuchatel, Switzerland where he has called home for over 30 years.) Having collaborated on the Lord of the Rings and The Hobbit trilogies for director Peter Jackson, the finale, The Battle of The Five Armies premieres December 17, 2014.

GOLLUMBorn in Vancouver and growing up on a farm in Keremeos, B.C. with his parents and older brother, Howe, by his own admission, was always painfully shy and often a loner. He plunged himself into the world of drawing heroic fantasy by digging around musty second-hand bookstores, reading drugstore comic books, and of course, all the Tolkien tomes far beyond the comprehension of his classmates. “I did do a booming business making drawings for kids in biology class, charging 50 cents each,” he laughs, but really all I wanted to do was leave Canada. Not much culture to inspire me then.” Perfection became an obsession with Howe, often destroying his drawings of castles, gargoyles, dragons, skulls and knights in shining armor when they didn’t meet his critical eye. Isolation, the battle between good and evil and dark, anthropomorphic landscapes germinated early, continue to pervade his illustrations today.

A scholarship to study illustration at Ecole des Arts Decoratifs de Strasbourg, was his escape ticket. “I was always fascinated with medieval history and architecture and drew extravagant landscapes – everything I had been reading about as a kid suddenly came alive in Europe. “

Private commissions and illustrations for children’s books preceded his big breakthrough when publisher, HarperCollins wanted numerous Tolkien book covers illustrated by Howe. Tolkien calendars, maps, posters, pop-up and adult colouring books ensued. Later his autobiographical Myth & Magic: The Art of John Howe, would be published, all feeding the insatiable fantasy genre machine. Barely the tip of the iceberg, as Howe was about to find out.

And then the phone call in 1998.

“It was the middle of the night in Switzerland and someone named Peter Jackson called from New Zealand to say he was bringing Tolkien’s classics to the screen, says Howe. “ I didn’t even know who he was then. My wife Fataneh and son Dana and I packed up so fast (including Howe’s extensive collection of 15th –Century Italian armour and swords) and when I arrived at Peter’s studio, 3 Foot 6 in Wellington, I saw all my previous Tolkien illustrations tacked up on his wall!”

Howe would meet his collaborator, fellow illustrator Alan Lee, on the plane. When work began, they seemed to naturally divvy up the thousands of pencil sketches, watercolour illustrations and Photoshop renderings vital to capturing the essence of Tolkien’s complicated books.“ I seemed to lean to all the baddies like Gollum, The Black Riders, Orcs, Smaug ect., ,” admits the erudite and witty Howe. An exception was Howe’s painting of wizard, Gandalf the Grey, that so inspired actor, Sir Ian McKellan who vividly portrayed the film character, that he had it propped up on his make-up mirror and would not leave the chair until he looked exactly like him.

“When I roam through the naturally mythological landscape in New Zealand -always with sketchbook in hand – I realize this is the Middle-earth that Tolkien envisioned,” says Howe. “I also realize how much it reminds me of the wildness of hiking in B.C. and that I took a suitcase full of West Coast with me when I left so many years ago.”